Left You Up, Waiting, 2021, acrylic on canvas, 24 x 24 in.
       
     
  As a Whole , 2021, acrylic on paper, 40 x 32 in.
       
     
  Track & Field , 2021, acrylic on canvas, 60 x 72 in.
       
     
  Hammer in a Sea of Hate , 2021, acrylic on canvas, 60 x 72 in.
       
     
 Installation view, photography by Stan Narten.
       
     
 Installation view, photography by Stan Narten.
       
     
 Installation view, photography by Stan Narten.
       
     
 Installation view, photography by Stan Narten.
       
     
 Installation view, photography by Stan Narten.
       
     
 Installation view, photography by Stan Narten.
       
     
 Installation view, photography by Stan Narten.
       
     
 Installation view, photography by Stan Narten.
       
     
 Installation view, photography by Stan Narten.
       
     
 Installation view, photography by Stan Narten.
       
     
 Installation view, photography by Stan Narten.
       
     
 Installation view, photography by Stan Narten.
       
     
 Installation view, photography by Stan Narten.
       
     
 Installation view, photography by Stan Narten.
       
     
 Installation view, photography by Stan Narten.
       
     
Left You Up, Waiting, 2021, acrylic on canvas, 24 x 24 in.
       
     
Left You Up, Waiting, 2021, acrylic on canvas, 24 x 24 in.

Anna Zorina Gallery and Medium Tings are proud to present To Give and Take, a solo exhibition of new works by New York-based artist Alvin Armstrong, curated by Stephanie Baptist. To Give and Take presents a series of characters, alone and paired, stationary and in motion to interrogate the vulnerability of Blackness in America.

Tightly cropped portraits and towering figures are placed in unidentifiable backgrounds and raise questions around masculinity, gender and even self-determination. Black excellence in the form of athletic prowess is juxtaposed against references to societal and police violence, as we witness the agonizing expression of young men and women, their fate yet to be determined. In Track and Field, two athletes in hues of blue (both in uniform and face), appear to be in mid-air, excelling at the long jump or hurdles, the actual event is not of importance.

“Athleticism is used to showcase the ways in which Black bodies are often fetishized for entertainment. Black people in this country perform at optimal levels, and the work interrogates the way society conditions Black people to believe sports are the only viable pathway to obtain some form of safety from the inequities of Black American life."

The background of these paintings is intentionally minimal, saturated with rich hues of thickly applied acrylic to give these figures more agency. We are forced to fill in the details ourselves by spending time with their bodies and feelings, as they wrestle with their place in society.

To Give and Take is a deeply personal offering. Spanning several gallery rooms, the work denotes ownership and authorship. Armstrong intentionally uses scale and technique (large-scale canvases with full-bodied figures to smaller-sized portraits) to toggle between urgency and intimacy, movement and emotion.

The exhibition is on view from May 5- June 19th at Anna Zorina Gallery, 532 West 24th Street.

ALVIN ARMSTRONG was born in San Diego, CA and currently lives and works in Brooklyn. He received an MS in Oriental Medicine and is a licensed acupuncturist. The self-taught artist had his New York solo debut exhibition This Place Looks Different with Medium Tings in Fall 2020 and was included in the Let Freedom Ring installation curated by Larry Ossei-Mensah at Brooklyn Academy of Music in January 2021. Armstrong’s work has been featured in the New York Times, Brooklyn Rail and Epiphany Magazine. He will be a Fall 2021 Visual Arts Resident at Pioneer Works in Brooklyn.

  As a Whole , 2021, acrylic on paper, 40 x 32 in.
       
     

As a Whole, 2021, acrylic on paper, 40 x 32 in.

  Track & Field , 2021, acrylic on canvas, 60 x 72 in.
       
     

Track & Field, 2021, acrylic on canvas, 60 x 72 in.

  Hammer in a Sea of Hate , 2021, acrylic on canvas, 60 x 72 in.
       
     

Hammer in a Sea of Hate, 2021, acrylic on canvas, 60 x 72 in.

 Installation view, photography by Stan Narten.
       
     

Installation view, photography by Stan Narten.

 Installation view, photography by Stan Narten.
       
     

Installation view, photography by Stan Narten.

 Installation view, photography by Stan Narten.
       
     

Installation view, photography by Stan Narten.

 Installation view, photography by Stan Narten.
       
     

Installation view, photography by Stan Narten.

 Installation view, photography by Stan Narten.
       
     

Installation view, photography by Stan Narten.

 Installation view, photography by Stan Narten.
       
     

Installation view, photography by Stan Narten.

 Installation view, photography by Stan Narten.
       
     

Installation view, photography by Stan Narten.

 Installation view, photography by Stan Narten.
       
     

Installation view, photography by Stan Narten.

 Installation view, photography by Stan Narten.
       
     

Installation view, photography by Stan Narten.

 Installation view, photography by Stan Narten.
       
     

Installation view, photography by Stan Narten.

 Installation view, photography by Stan Narten.
       
     

Installation view, photography by Stan Narten.

 Installation view, photography by Stan Narten.
       
     

Installation view, photography by Stan Narten.

 Installation view, photography by Stan Narten.
       
     

Installation view, photography by Stan Narten.

 Installation view, photography by Stan Narten.
       
     

Installation view, photography by Stan Narten.

 Installation view, photography by Stan Narten.
       
     

Installation view, photography by Stan Narten.