https://www.mediumtingsbk.com/past-exhibitions daily 0.75 2024-02-16 https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1508293602622-E87A7GTXL1W8EANVXZ7X/TOgunbiyi_You+Will+Always+See+Possibility+%28Half%29_2016.jpeg Past Exhibitions https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1520278520631-F5Z5B433OQZQBMZD9D1C/SanFrancisco%2C+2017_ABW_MT.png Past Exhibitions https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1498452927543-GPZDY7A1CT7MPKEF57SK/IMG_7791.jpg Past Exhibitions https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1524541834971-Z6B534NSJKRB9ELDUM6R/MiloMatthieu_CottonFields_MediumTings.png Past Exhibitions Milo Matthieu, Cotton Fields, 2016, Paper, Oil Stick, Acrylic Paint on Wooden Panel https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1533511223086-E6PDNCN4G4SC9IETWZWE/image3.jpeg Past Exhibitions Silken Dreamer, 2018, Acrylic on Wood, 10 x 8 in. https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1537141969591-03LPU0M40B7NO89BXZAA/image-asset.jpeg Past Exhibitions - If Keisha Jumped Off A Bridge Would You Do It Too ? June 3, 2018: Ayana Evans performance https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1599919594375-0PGHIASC5TC2YPVKXM3D/Armstrong_1_MT.png Past Exhibitions - I ain’t no rapper and I ain’t no trapper; buckets Acrylic on Archival Paper, 40x64”, 2019 https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1578199000978-PDDSJ0VG6X3F8J8C3BMA/EmbraceD+BY+a+Blue+Atlantic.jpg Past Exhibitions - Embraced by a Blue Atlantic At one time, there were beaches stretching all over. They seemed so endless. A sea of sand as soft, well-rounded, uniform. It streams through your fingers. Often times, these beaches made you lose ground under your feet. A parasol planted on these beaches made the view more agré-eable, at times. Then one day, it was time! Changeons de cap, allons vers d'autres rives ! I am now standing on this soil. This soil is penetrated by water, Embraced by spirit. The title Embraced by a Blue Atlantic (1) was inspired by two memorable encounters I recently had. The first one occurs in a taxi embarking from Popenguine back to Dakar. I just left people and homes filled with love and peace. I am in good spirits and in good company with the driver whose name is Malick. It is a sunny and humid day. The colors and scent of dawn are palpable filterings through my sunglasses. My eyes are wide open. There he is Monsieur Guèye standing on a wide road. As soon as his silhouette appears to us, we stop at once and give him a lift. He is impressively tall and has grey hair. Once he enters the car, we swiftly start a conversation. Monsieur Guèye is a History and Geography teacher who retired from his position at school two years ago. After a short while, he explains to me that the Cap-Vert peninsula Dakar - Ndakaaru - Dëkk Raw means safe haven. Surrounded by a blue Atlantic, Dakar and its periphery stretch themselves and touch the facing shores, spaces, and people. The second encounter happens just a few months later. Artist Cheikh Ndiaye and I meet for dinner at a Senegalese restaurant in Brooklyn. Outside, the lanterns are dimly lit. Inside, the restaurant is filled with words, laughter and some afrobeat. It is warm. At one point in our conversation, Cheikh shares with me how Dakar - Ndakaru - Dëkk Raw has had a long history of being a place of “refuge for the oppressed of all origins“ (2). No later than the 15th century, Dakar was enacted by some Lebou fishermen who were fleeing Takrur, a kingdom located in the North-East of the Senegal River began to settle there. According to various scholars, including the great thinker Cheikh Anta Diop, the Lebous are said to be the descendants of a Nile Valley community that ancient Egyptians called The People of the Sea. Embraced by a blue Atlantic - how does Dakar translate this legacy today? What do the close and distant surroundings of Dakar reflect back to its people and space? How do visible and invisible lives passing through water connect with one another and diffuse themselves? With these ideas in mind, I am bringing the following 3 artists together: Muhsana Ali, Ayesha Harruna Attah, and Mbaye Babacar Diouf. They live and work in Dakar and in its periphery. Aïcha Diallo was born and raised in Berlin, Germany, with a Guinean francophone heritage. She is a cultural producer and interdisciplinary thinker. Diallo has worked for the pan-African cultural platform Chimurenga in Cape Town, the exhibition project prêt-à-partager with ifa (German Institute for International Cultural Relations), edited the Heinrich Böll Foundation’s online publication Living Archive: Kulturelle Produktionen und Räume (Living Archive: Cultural Productions and Spaces) and Aperture magazine edition #227 titled Platform Africa as guest contributing editor along with late Bisi Silva and John Fleetwood and was one of the founding members and actors of the Black German performance platform Label Noir. Furthermore, Diallo was managing editor of the art magazine Contemporary And (C&) – Platform for Contemporary Art from Africa and its Global Diaspora. She holds a B.A. in European Studies from Queen Mary, University of London and an M.A. in Intercultural Education from Freie Universität Berlin. Aïcha Diallo is a connector who aims to build and bring together communities, ideas and practices translocally. aichadiallo.com https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1607059034112-J1UV90H6DEEM3RMPMXVT/SB_AReturn-1.jpg Past Exhibitions https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1620223412313-KEPRHP0K0CAKRQENZIHP/image-asset.jpeg Past Exhibitions - Left You Up, Waiting, 2021, acrylic on canvas, 24 x 24 in. Anna Zorina Gallery and Medium Tings are proud to present To Give and Take, a solo exhibition of new works by New York-based artist Alvin Armstrong, curated by Stephanie Baptist. To Give and Take presents a series of characters, alone and paired, stationary and in motion to interrogate the vulnerability of Blackness in America. Tightly cropped portraits and towering figures are placed in unidentifiable backgrounds and raise questions around masculinity, gender and even self-determination. Black excellence in the form of athletic prowess is juxtaposed against references to societal and police violence, as we witness the agonizing expression of young men and women, their fate yet to be determined. In Track and Field, two athletes in hues of blue (both in uniform and face), appear to be in mid-air, excelling at the long jump or hurdles, the actual event is not of importance. “Athleticism is used to showcase the ways in which Black bodies are often fetishized for entertainment. Black people in this country perform at optimal levels, and the work interrogates the way society conditions Black people to believe sports are the only viable pathway to obtain some form of safety from the inequities of Black American life." The background of these paintings is intentionally minimal, saturated with rich hues of thickly applied acrylic to give these figures more agency. We are forced to fill in the details ourselves by spending time with their bodies and feelings, as they wrestle with their place in society. To Give and Take is a deeply personal offering. Spanning several gallery rooms, the work denotes ownership and authorship. Armstrong intentionally uses scale and technique (large-scale canvases with full-bodied figures to smaller-sized portraits) to toggle between urgency and intimacy, movement and emotion. The exhibition is on view from May 5- June 19th at Anna Zorina Gallery, 532 West 24th Street. ALVIN ARMSTRONG was born in San Diego, CA and currently lives and works in Brooklyn. He received an MS in Oriental Medicine and is a licensed acupuncturist. The self-taught artist had his New York solo debut exhibition This Place Looks Different with Medium Tings in Fall 2020 and was included in the Let Freedom Ring installation curated by Larry Ossei-Mensah at Brooklyn Academy of Music in January 2021. Armstrong’s work has been featured in the New York Times, Brooklyn Rail and Epiphany Magazine. He will be a Fall 2021 Visual Arts Resident at Pioneer Works in Brooklyn. https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1625847898880-VZQCZ1FFFJ2PYSD15C1W/image-asset.jpeg Past Exhibitions Noisy Silence, 2021, Acrylic on Canvas, (96.5 x 142.3 cm) (38 x 58 in.) https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1650570709341-4X28QKT8D0O128O5ILVJ/Screen+Shot+2022-04-20+at+10.56.33+AM.png Past Exhibitions Dear brother this is about that night, 2022, Drypoint with acrylic and pastel Signed, inscribed, and numbered recto Unique, 15.75 x 11.75 in (40 x 30 cm) SOLD Tiemar Tegene is a digital exhibition curated in collaboration with James Fuentes Gallery. ALL WORKS CAN BE VIEWED AT JAMESFUENTES.ONLINE Tiemar Tegene is an artist living in Addis Ababa, Ethiopia. Tegene's work is anchored in her training as a printmaker, expanding etching processes into practices of mono printing through spontaneous experiments, most often using found household items and their textures. Although falling into this category, Tegene does not implement numbered editions that are struck from the same plate. Rather, each unique work falls outside of fixed description as she finds new ways to press the texture of an image through the application of ink onto the page. Many of these registers are then followed by additions of colored pencil, forging repeating icons and patterns that become more abstracted and at the same time add further layers to the personal narratives relating to each subject. As these elements come together Tegene presses at the boundaries that exist within and between human beings—those that exist naturally within each person as well as those that are constructed by oneself. Transmuting her own emotional experience as well as the nature of her relationships with others, Tegene channels a highly personal response to the world around her. Inside these images live the details and echoes of larger stories, whether relayed in confidence by a close friend, via an overheard phone conversation in public, or from a heated exchange between a couple on the street, and even drawn from song lyrics or fictional film narratives. Ultimately, Tegene’s portraiture reaches for that specific, consuming emotional moment that ripples through the body and (therefore) through space, too. Each unique print speaks to this particular mode of relation, consolidating “real” details with flourishes of reference and imagination, or fragments from the artist’s own face used as part of another’s. Through this process, Tegene steps from an emotional space into an expressive one. Intensities of color or black and white deliver the “unexplainable strength and vibrant power” that tie the two together. Tiemar Tegene (b. 1985, Addis Ababa, Ethiopia) received a BFA in printmaking from the Allé School of Fine Arts & Design, Addis Ababa. Her work has been exhibited at the National museum of Ethiopia, Alliance Ethio-Française, Moderen Art Museum Gebre Kristos Desta Centre, and the Lithuanian National Museum of Art, as well as a series of public murals commissioned in the city of Addis Ababa. https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1651535452844-VHFCNUFUZEEN3MMVMGHL/Screen+Shot+2022-05-02+at+7.47.35+PM.png Past Exhibitions Maya Varadaraj Pappa in Purple, 2022, acrylic on canvas, 36 x 24” Price upon request https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1668632571973-HZBIKON7VMWXII5MCPIV/A%2BPeople%27s%2BKing%2B-%2BAW.jpg Past Exhibitions - Adolphus Washington: A People's King, 2021 15.74 x 11.81 inches Acrylic and Collage on Paper My Hands Sing the Blues, brings together a series of works by Bronx-born, London-based artist Adolphus Washington for his first presentation at Medium Tings. The title, a nod to the Billie Holiday song, with music and specifically jazz, being used as a metaphor to interrogate the complexities of the Black American experience and its “oscillation between freedom and restriction.” Washington works primarily with collage, his work deeply rooted in Black culture, history and literature. Each unique artwork is composed of image based source material that is instinctively spliced and assembled with acrylic paint that adds layers to the story unfolding before us. Drawing on the personal and cumulative histories of Black Americans, to deliver what he calls a “Black American aesthetic” and shine light on inequality and injustice. Washington’s work is simultaneously reminder and provocation. “This work embodies the richness of Black American culture by depicting historical events, as well as a creative re-imaging - as evidenced by colors, shapes, symbolism. A believer in specificity, my work champions nuance by confronting viewers with the thorny and complex issues related to descendants of the enslaved. Black American myth and spirituality and lesser known or spoken narratives, are brought to the fore, linking and contextualizing these in an attempt to enrich understanding and inspire greater appreciation of the fullness of the Black American experience and expression.” - Adolphus Washington About the artist: Adolphus Washington is a Black American and native New Yorker who currently resides in London. Washington received an MSc in African Politics from School of Oriental and African Studies, University of London and he currently works in public affairs in London. His work has been exhibited at Arkade Gallery in Aberdeen, Scotland, Telfair Museum in Savannah, Georgia and The Holy Art Gallery in London, England. He is an Analog Series winner for Contemporary Magazine, October 2022 and has been featured in the publication Black Collagist, November 2021. https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1688410693313-BKSVKTH42WVHVSKLT2M7/give+rise%2C+2020%2C+70+x+100+cm.jpg Past Exhibitions Ofobuike Okudoh, Give Rise, 2020, Markers, ball pens and acrylic on paper, 70 x 100 cm (27.56 x 39.37 in) (OO0007) Price upon request Ofobuike Okudoh (b. 1992 Lagos, Nigeria) is a visual artist primarily whose practice merges the human form, the richness of his Nigerian (Igbo, Yoruba and Benin) heritage and botany (flowers, fruits, plants) displayed as delicate drawings composed of lines, patterns and layered scribble with pen, ink and oil pastels. Okudoh’s work centers on tranquility, spirituality, African masquerades, and the beauty of afro hair, deconstructed to erase societal and racial standards of beauty. Okudoh is formally trained in Fashion Design at ESMOD Roubaix and based in France. Ofobuike Okudoh: July 6 - August 6, 2023 please contact hello@mediumtingsbk.com for more information https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1695912927221-XBJNF1O352W9V7RS0VBD/99D90A74-601C-4A82-ABF4-D0F4CDD990C5.jpg Past Exhibitions Remy Sosa Agua y Mezcal, 2021 Acrylic, Oil and Charcoal on Wood 30 x 24 in. RS0004 (Unavailable) Remy Sosa's (b. Dominican Republic; lives and works in Connecticut) art practice focuses on mixed media paintings and assemblage that explore interiority and emotional intelligence. Interested in the human form, Sosa's distinctive style of deconstruction and layering of elements combines painting and a variety of materials - acrylic, oil, charcoal as well as everyday household items; leading to a creative reinterpretation of portraiture. Sosa draws inspiration from artists like Robert Gawthmey, Basquiat, and Francis Bacon’s Human Scream, to reflect the malleability and fragility of humans. Sosa’s work is inspired by popular culture and current events, as reflected through personal and unfamiliar subjects, and is at once a celebration of self-discovery and as well as growth. Remy Sosa is a mixed media artist. Sosa received a Bachelor’s of Fine Art from The School of Visual Arts in New York. Sosa was a resident artist at The Norwalk Art Space and currently lives and works in Connecticut. Sosa’s work has been exhibited at The Norwalk Art Space, The Mattatuck Museum, Ely Center of Contemporary Arts and the Greenwich Art Society among others. https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1592446021496-XYS8BEGATMCB9GFTEI7U/D.Robinsaon_MT_ThingsIWant.png Past Exhibitions Dana Robinson, The Kind of World I Want for My Child, 16 x 20 in, Acrylic on Wooden Panel Sold https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1708095950542-LY4E5K2X1QANZW5KWPDG/Sarah+Nsikak+_For+Rosy+_+21+x+16+in%2C+vintage+textiles%2C+wire+frame+by+likeminded+objects%2C+2023+_MediumTings.JPG Past Exhibitions Sarah Nsikak For Rosy, 21 x 16 in. Vintage textiles, wire frame by Likeminded Objects, 2023 SN0003 Unavailable Sarah Nsikak is an emerging textile artist and designer living and working in Brooklyn. This special collection of patchwork lamps draws inspiration from traditional sewing passed down to her from her grandmother, who was a seamstress in her Nigerian village and the quiltmaking practices of Gee’s Bend to create tapestries made of recycled and vintage materials. These delicate works embody the power of possibility and channel her family’s ethos of form over function. Sarah is inspired by textiles as a medium for their malleability; the way they filter light and communicate shapes through their saturation. Open Windows was on view from October 26 – November 26 at Tangerine, 616 Lorimer Street, Brooklyn, NY 11211, Wednesday - Sunday 11am to 7pm. Photography by Keenon Perry https://www.mediumtingsbk.com/inauguralspace daily 0.75 2022-11-20 https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1512582176011-9TIPISKMR1SL8G2807GY/Ogunbiyi_MediumTings_07.jpg Inaugural Space https://www.mediumtingsbk.com/public-art daily 0.75 2022-01-11 https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1595508982462-8UVA1ECF5ZNB9TGJ1266/image-asset.png Public Art - Art in Ad Places - Nydia Blas Medium Tings was invited to guest curate for Art in Ad Places. We invited two female photographers who use their platform for powerful storytelling. The work above is from a series titled The Girls Who Spun Gold by Nydia Blas, who states: “black girls and women deserve to see complicated representations of themselves.” The photo was taken by Luna Park for Art in Ad Places. Art in Ad Places is a sustained campaign of replacing advertisements on pay phones throughout NYC with artwork. https://www.mediumtingsbk.com/fairs daily 0.75 2023-05-31 https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1654223134709-1UEYTCWMOUY3DF3V8ZEN/154-medium+tings-040.jpg Fairs Installation view - 1-54 Art Fair at Harlem Parish photography by Eva Sakellarides https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/16099667-62c0-4d21-ab06-43957c16c3b1/image-asset.jpeg Fairs - Davariz Broaden: where the grass is always green #3, acrylic and oil on canvas, 60 x 48 in. 2022 Detroit based artist Davariz Broaden paints with a muted color palette, mixing acrylic and oils to convey softness, beauty and love. His subjects are a mix of gatherings, quotidian environments, often culled from his imagination and reflecting on his own personal memories and family life. Broaden both captures an intimate moment and tells the larger narrative of the black experience. The pensive nature of his subjects allows the viewer to spend time with the expressive figures and the intricacies of their environments. Formerly trained as a fashion designer, his attention to textures, colors, and fabrics are evident through his deliberate brush strokes. Broaden is self taught and began painting in 2021. At just 23 years old, he is quietly producing an impressive body of work that centers around humanity, nostalgia and the tradition of figurative painting. On view at Future Fair, Chelsea Industrial 535 West 28th Street, New York, NY 10001 - May 10 - May 13, 2023. https://www.mediumtingsbk.com/upcomingexhibition daily 0.75 2023-07-06 https://www.mediumtingsbk.com/new-cover-page-1 daily 0.75 2017-10-18 https://www.mediumtingsbk.com/medium-tings daily 1.0 2026-03-12 https://www.mediumtingsbk.com/about daily 0.75 2024-09-10 https://www.mediumtingsbk.com/read-me daily 0.75 2023-06-01 https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/1981149b-fe15-4b4c-a77e-9995bb08a7d6/apartment+therapy Press - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/289669b0-d7e6-405d-8536-8d0dd909a764/i-D+logo Press - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/588ea3b7e3df287fa73e4f7e/7e149fed-372d-4d2b-bd0a-054a31300c5f/NYT.png Press - 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